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Teenage Folklore

by Rocket Park

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1.
are you certain of my fate a celebrated villain at the pearly gates even on the other side my venomous charisma cannot be denied I'm gonna dive into the sun are you certain of my fall a celebrated villain up against the wall betcha would've never guessed that my kind rule the world as practice for the next I'm gonna chew a piece of sky praise your kindly, simple ways praise your humble soul praise the myth that makes you meek absolute control are you certain who's in charge a celebrated villain living extra large twenty billion dollars spent and heaven's open now under new management I'm gonna snuff out all the stars
2.
Kimberly said don't lose your head you wouldn't be better off dead loosen the reigns if she complains don't get yourself all wrapped up in chains well, she never really said it but she might as well have Kimberly knows anything goes she tries to keep me on my toes sometimes she waits or hesitates sometimes she just blows off our dates well, she does it all the time I know she doesn't mean to she's got her high beam headlamps and her day-glo eyes got me diving in a riverbed that never dries she's got a new wave heart and a disco mind I don't know a thing about her so she's just my kind
3.
she'll strike your world like a bolt from the blue with no thoughts of avoiding eye contact with you indiscrete words in an indiscrete flow you did not need to hear but you wanted to know just as you're wondering what next occurs you discover your leg's come in contact with hers and after you've talked to her for a while she will tell you she's happily married and leave with a smile hard to believe that she isn't ashamed of the deeds that she's done and the names that she's named she's had four children by four different men if her tubes weren't tied, bet it'd happen again eyeing the exits, you nonetheless stay like a crash on the freeway, you can't look away and after you've talked to her for a while she will tell you she's happily married and leave with a smile you take her home to your bachelor pad and you know that she's no good but you want her bad very strange bedfellows under the sheets holding nothing in common but animal heat all is nirvana until you are spent then you wonder where all of your interest went after you've laid next to her for a while she will tell you she's happily married and leave with a smile
4.
Repulsion 03:21
hopped up and half crazy it all comes back so hazy adrenalin flowing your Freudian slip was showing had to shut up my lower self I was led straight down a hole and landed in repulsion you know what I'm after behind the nervous laughter hormonal perversions unclean late night excursions the light of day does you no good I was led straight down a hole and landed in repulsion disconnect, disconnect I can't stand these entanglements disconnect, disconnect they named my crime and used my face as evidence I stroll up that staircase put on my wild stare face she'll take me, I'll let her I don't know any better though I'll remember later on I was led straight down a hole and landed in repulsion
5.
when the world starts going your way you won't know how to react even in your finest moments you are just this side of cracked I've heard all of your excuses but I can see it in your eyes you're perfect in every way too beautiful to betray a superstar in disguise just another unpaid actress dreaming of the Great White Way feel the well worn stage beneath you feel the real world go away there is fortune for the lucky and hope for everyone who tries I feel the need to suggest that you're the best of the best a superstar in disguise please stick around for a while 'cos I've grown fond of that smile please stick around for a bit 'cos I've been counting on it don't you give in, don't you give up don't wait 'til the thrill is gone if you ever make the big time you could turn the whole world on compliments aren't legal tender but rest assured I tell no lies you're perfect in every way too beautiful to betray a superstar in disguise
6.
I dig in the dirt and discover the world is unclean I tried soap and water but these stains require gasoline I face the prospect of leaving this place and picture the grieving but I look in your eyes and decide that I'll stick around for one more sunrise I pull all the levers but can't seem to stop the machine I voice my frustrations and notice I'm causing a scene I tried to keep it all hidden inside and kiss the forbidden but I choke on my threat and decide that I'll stick around for one more sunset you make it hard to believe there's a reason to leave make it easy to stay you command waters to part take the stone from my heart send the demons away I look for the answer but questions are all that I hear I look for the truth and it only confirms my worst fear I hate the forces that twisted my fate and had me blacklisted but I look in your eyes and decide that I'll stick around for one more sunrise
7.
the correspondence arrived without a return address familiar feminine script invited me to a guess tea kettle steam unlocked the prize a letter meant for other eyes apologies of swallowed pride signed first name only by the bride but a letter from a ghost can't haunt a peaceful mind "you probably think I'm a bi*** but you can't really be blamed I've found a husband," she said, left him discretely unnamed "he's everything that I've dream of I'd die if someone took his love I'd hate for anyone to do to me what I once did to you" but a letter from a ghost can't haunt a peaceful mind you're wondering what I'm feeling at this moment I find that I am wondering the same but take this as a half-assed sort of answer and not a complication to the game I sealed it carefully up with a thin layer of glue so later on that same day it could be opened anew I feigned surprise when it was read my girlfriend turned to me and said, "she's trying to get beneath your skin," and I replied, "if so, I win, 'cos a letter from a ghost can't haunt a peaceful mind"
8.
Want 03:41
you were asleep at the wheel that night when I slipped from my senses and out of your sight I ushered myself through the manicured grounds while my progress was measured in ounces and pounds in make-believe cities I cried out for pity and zombies make note of the root of my problem: I only want the things that I can't have you were not pushed but you stumbled and fell all aghast with the knowledge I'd seeded your well but nobody twisted your arm out of joint and the proof's in the pudding each time that you point I've been through the motions I've humored your notions and zombies make note of the root of my problem I only want the things I've left behind you were slow dancing and asked me to join but the offer hit me like a kick to the groin I tried to decline but I couldn't resist the hand on my shoulder, the blade at my wrist in times of confusion I foster illusion and zombies make note of the root of my problem I only want the things that make me ill
9.
I have a pair of one-way tickets in my hand good for a red eye flight anywhere but just tonight I'm coming with you but you have to understand that if you're so inclined you leave everything behind no time for gathering up your personal effects no time to hug or kiss anybody you will miss you've seen into my eyes and know what to expect if you're to share my mind you leave everything behind call me a siren if you like but I won't lead you into anything as dramatic as your doom call me a temptress if you like call me whore call me slut call me bitch call me yours another room that seems magnificent and strange another door that locks after the initial shock another life that leaves you hungry for a change another chance to find you don't leave a thing behind
10.
Just a Tool 05:49
I've got a screwdriver in my back pocket but not for industrial sabotage I've no intention of poking your eyes out or building a time bomb in my garage I just need to tighten up a screw it's just a tool and it's only as bad as the use you put it to I've got a claw hammer here on my tool belt but not for defacing a statue's nose I'd never break out a store's plate glass window or smash in the skulls of some average Joes all the nails fell out of my left shoe it's just a tool and it's only as bad as the use you put it to I've got a bulge in the front of my blue jeans but not for committing a violent act it won't be used to oppress or exploit you nor as an excuse for my lact of tact I just want to make sweet love to you it's just a tool and it's only as bad as the use you put it to
11.
I Ain't Home 02:44
I've got a little tale of woe to lay upon your ears I make a little money and it promptly disappears when suddenly the bill collector calls me on the phone I would've said I wasn't here if I had only known tell the collector, tell him I ain't home it's the only way I know to make him leave me alone this woman that I used to date just called the other day she talks an awful lot but doesn't have a thing to say I haven't got the heart to tell her how I really feel so next time that she calls me up, let's make a little deal tell my ex-girlfriend, tell her I ain't home it's the only way I know to make her leave me alone don't want delivered issues of the Sunday New York Times or illustrated coffee table books on famous crimes won't represent the tastes of any demographic group or buy some pricey candy to support your Boy Scout troop tell everybody, tell them I ain't home it's the only way I know to make them leave me alone
12.
Autumn 04:23
I drove you back home and we fell into bed satisfying my body but disturbing my head now you're enigma and we're never in touch heard you don't want me, could've figured as much my swift fall from grace and your poker face tell me Autumn's gonna chill me to the bone we all have an ego, says we cannot be used so was it your pleasure, must I be so confused a bit deeper substance lurks behind this facade so tell me the truth, at least give me a nod my swift fall from grace and your poker face tell me Autumn's gonna chill me to the bone leaves are falling from the trees they leave nothing but my hope grey horizons, just like my soul Autumn makes it hard to cope so was your decision the one I heard voiced did a friend with opinions ever leave you a choice your friend needs a lesson in social affairs he's cost you another, does he even care my swift fall from grace and your poker face tell me Autumn's gonna chill me to the bone the well-wishers tell me I should just move on love's unrequited and my chance is gone but I'll remember the friction and subsequent flow I'll hear your name when the Autumn winds blow my swift fall from grace and your poker face tell me Autumn's gonna chill me to the bone

about

On September 17th, 1999, ROCKET PARK released its first album by the time-honored tradition of the CD release party. Though the result of less than a year of recording (in fits and spurts), it felt to me like the culmination of years - nay, decades - of preparation, for though I'd been recording in various contexts for many a moon, I'd never really buckled down and produced a cohesive, album-length work. Eric Moore provided the kick up my ass, the cash and - last but not least - a bunch of awesome drumming to make it happen, and I thank him for all three.


Although Rocket Park would quickly become more of a band and less of a studio project, the free reign Eric gave me throughout the recording of this project made it a virtual solo album, albeit prominently featuring a drummer and lead guitarist who could bring the goods more readily than I. John Sebben, although pictured and credited, didn't really join the band until after the rhythm parts had been laid down, and by the time we recorded our next album, he was replaced by Dave Harris, whose arrival really helped define Rocket Park as a band (and whose departure led to a slow but decisive death for the group).


The music? Well, I suppose I was working towards a different ideal then. It's dense with sound, layered and highly produced, perhaps a bit too glossy and shiny for my current tastes, but I can't help a surge of pride and emotion when I listen. I was twenty-eight years old when the sessions began, impatient for my music to be heard, ready to go for broke. I think I did alright. Thanks again to Mike Martin (a great engineer who delivered exactly what was requested), Eric Moore (without whom...) and "Manik" Myk Thompson (not just for his blazing guitar lines, but for his wonderful cassettes that helped nudge me towards my current DIY approach to music).

"The CD, called 'Teenage Folklore' and showcasing the band's love of pure pop, punk, glam- and prog-rock and the combination thereof, along with the confidence to get fancy with them, is pretty impressive for a debut release. Guitar, drum loops, percussion, keyboards, drums, bass, pretty harmonies, etc., merge smoothly, and over the course of the album, the band repeatedly pulls out engaging ideas. Kudos, again, to Mike Martin at the Broom Factory for an excellent recording job; 'Teenage Folklore' sounds incredible." - Randall Roberts, the Riverfront Times, Wednesday, September 15th, 1999

credits

released September 17, 1999

Brian Andrew Marek - bass guitar, acoustic and electic guitars, keyboards, drum loops, percussion and all vocals
Eric Moore - drums and percussion
"Manik" Myk Thompson - lead guitar
John Sebben - bass guitar and keyboards

extra percussion on "Just a Tool" by Mike Martin and Jessica Watts

a (subliminal banana) production
produced and mixed by Mike Martin and Rocket Park
engineered by Mike Martin at the Broom Factory
mastered at Cry Rock Mastering, Memphis, TN

all songs written by Brian Andrew Marek except "A Celebrated Villain in Heaven" (Marek/Alleman/Moore) and "Autumn" (Marek/Hanlon/Bess)
all songs copyright (c) 1999 (subliminal banana) music

interludes conceived, written and performed by Myk and Brian, featuring Andrea Busch as the Rocket Man's sweetheart

art direction by Andrew Alleman and Brian Andrew Marek
photographs by Michael Draga
graphic production by Kiwi Creative Inc. St. Louis, MO

special thanks to Bob and Sherri and all our groovy pals at the Way Out Club, Andrew Alleman, Andrea Busch, The Highway Matrons, Beatle Bob, Guitar Joe, The Phonocaptors, Michael Draga, Dan "Stuvie" Stuvland, Bob (the band), Liana Marek, Jerkwater Junction, Mike Martin, Roger Holloway, Jessica Watts, our families and friends, all our old bandmates, everybody at Rooster Lollipop and all the ghosts, villains, sirens and superstars that inspired our songs (you know who you are)

Rooster Lollipop/(subliminal banana) ROLO 106

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Rubberstamp Records St Louis, Missouri

Rubberstamp Records is a DIY indie record label based in the Saint Louis, MO area and helmed by local music scene veteran Brian Andrew Marek.

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