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Popcorn & Other Delights

by Popcorn

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1.
Kimberly said don't lose your head you wouldn't be better off dead loosen the reigns if she complains don't get yourself all wrapped up in chains well, she never really said it but she might as well have Kimberly knows anything goes she tries to keep me on my toes sometimes she waits or hesitates sometimes she just blows off our dates well, she does it all the time I know she doesn't mean to she's got her high beam headlamps and her day-glo eyes got me diving in a riverbed that never dries she's got a new wave heart and a disco mind I don't know a thing about her so she's just my kind
2.
I can't believe my luck I stick to things until I'm stuck I stick it out, I stick it in I stick around I can't believe my eyes The very air solidifies And I feel like an orphan In the lost and found But when I see my Frankenstein She serves me sweat and turpentine And no one, but no one, but no one makes it taste so good I can't believe the hype I'm aged but hardly overripe I'm not about to pucker For the kiss of death I can't believe the word Of all the has-beens ever heard The bit about retiring From the world of breath But when I see my Azrael She serves me blood and gives me hell And no one, but no one, but no one makes it taste so good I can't believe the time I've wasted on this uphill climb I'd buy the time back in a flash But I'm flat broke I can't believe in me At least not how I used to be So I've returned my diaries To ash and smoke But when I see my Lady Jane She serves me spit and novacaine And no one, but no one, but no one makes it taste so good
3.
Turn Me On 02:45
Diamond in a heap of coal turn me on, don’t turn on me She is stalked by miracles turn me on, don’t turn on me you can see how far it’s gone don’t turn on me, just turn me on Her words are birds that take flight turn me on, don’t turn on me Inside sat the speed of light turn me on, don’t turn on me you can see how far it’s gone Don’t turn on me, just turn me on Round and round, she dances in the ashes Future in her eyes, the fire licks her feet Round and round, she’s a revolution she will sow the seed and she will reap the wheat Violence is not her vibe turn me on, don’t turn on me she is not of any tribe turn me on, don’t turn on me You can see how far it’s gone don’t turn on me, just turn me on
4.
5.
dig in deep or cruise the shallows lock the door and man the gallows flaunt the token symbols of your shame weight loss project, new sensations wardrobe habit alteration everybody turns out just the same tell it to Samantha and she's hanging by a thread baby, she's as good as dead drink you will and drink you'd better drain your glass you'll forget her see the cost of freedom through a haze be it Adam's rib or liquor vice will surely kill you quicker but who needs more frustrated, sober days tell it to Samantha and she's hanging by a thread baby, she's as good as dead cast aside assumptions that she'd rather not be told when her best friends say she's cold as ice and twice as slippery proud of weak mystique and frippery just last night she replied as follows "go to Hell, farewell, I'm rid of you if you think I stink, remember to spare the hints!" and I haven't seen her since
6.
Her passions were impossible And ill equipped to last Her weapons were so subtle That I never felt the blast Her morals were rejected They afford no convenience To a woman who's impaled Upon the past And I say thanks but no thanks I'd rather keep my wits about me Thanks but no thanks You were not the first to doubt me Claiming you could love without me Now you've got a splendid opportunity Her talents were considerable But she preferred to tease Her greatest pleasure came From bringing people to their knees Her ethics were elastic As befits the sort of hypocrite Who revises their espoused beliefs With ease And when I'm philosophical I say she's not to blame All her family ever gave her was her name But knowing her misfortune Doesn't change the way I feel She ought to dry her eyes and take the wheel Kick those horses into life And see her hometown Through the rear view mirror
7.
It makes me smile Just to see you standing at my door I'm so alone And I can't live without you anymore So come and lay down by my side I just want to hold you close And be with you tonight 'Cos I can't take One more night without you in my arms You're in my dreams I go to sleep just knowing you'll be there When I'm awake I think about you, it don't matter where Even the blind can see I was meant to be with you And you were meant for me 'Cos I can't take One more night without you in my arms One more night without you lying in my arms One more night would do my heart a lot of harm I need your company 'Scuse me please for asking you To run away with me But I can't take One more night without you in my arms When I'm alone I find myself just sittin' by the phone This loneliness I feel for you Had gotten in my bones I wonder where you are You're more fun to play with Than my electric guitar 'Cos I can't take One more night without you in my arms
8.
when the world starts going your way you won't know how to react even in your finest moments you are just this side of cracked I've heard all of your excuses but I can see it in your eyes you're perfect in every way too beautiful to betray a superstar in disguise just another unpaid actress dreaming of the Great White Way feel the well worn stage beneath you feel the real world go away there is fortune for the lucky and hope for everyone who tries I feel the need to suggest that you're the best of the best a superstar in disguise please stick around for a while 'cos I've grown fond of that smile please stick around for a bit 'cos I've been counting on it don't you give in, don't you give up don't wait 'til the thrill is gone if you ever make the big time you could turn the whole world on compliments aren't legal tender but rest assured I tell no lies you're perfect in every way too beautiful to betray a superstar in disguise
9.
A self-serving bastard offspring Of the cesspool that you swam Fancied you a public cervix Turned the screws, who gives a damn Swat a fly and love a maggot That's the nature of the beast Vicious circles, mad relations You're emotionally deceased Did you ever have dreams That were more than obligations? Did you ever see the world From the driver's seat? I've heard you contradict yourself By talking sense Give up your white picket fence Give up your white picket fence Martyrs never get to savor All the good that goes around And a lifetime's worth of memories Will be auctioned by the pound As you claw from "a" to "b" You'll see me slide from "b" to "a" And I hope we'll find nirvana When we finally meet halfway Oh no no, got to stop the criticism It's the one thing you can't take Oh no no, got a nasty reputation It's the one thing you can't shake Oh no no, you're a white trash rattlesnake
10.
11.
you won’t find your pleasure wincing at the slightest sign of pain you won’t see your treasure peering through sunglasses in the rain you’re running from the sun and missing all the fun you won’t fix your wagon leaving it to dry rot in its place you won’t slay the dragon petrified to look it in its face you’re running from the sun and missing all the fun the road is long, the pavement’s rough but those who are of stronger stuff let no one know they’ve had enough they go to sleep but never rest knowing the journey is a test that fails all but the very best you won’t be a dancer wasting time by holding up the wall you won’t find the answer making like there’s no question at all you’re running from the sun and missing all the fun
12.
She doesn't like it when I Spend my time with somebody else She doesn't like it when I Spend my time with somebody else All her insecurities grow small When I'm with her, but She doesn't like it when I Spend my time with somebody else She doesn't like it when I Sleep around with somebody else She doesn't like it when I Sleep around with somebody else All her worries disappear When I make love to her, but She doesn't like it when I Sleep around with somebody else She doesn't like it when I Fall in love with somebody else She doesn't like it when I Fall in love with somebody else All her fears would scatter If I made this pledge to her, but She doesn't like it when I Fall in love with somebody else
13.
Just a Tool 02:14
I've got a screwdriver in my back pocket but not for industrial sabotage I've no intention of poking your eyes out or building a time bomb in my garage I just need to tighten up a screw it's just a tool and it's only as bad as the use you put it to I've got a claw hammer here on my tool belt but not for defacing a statue's nose I'd never break out a store's plate glass window or smash in the skulls of some average Joes all the nails fell out of my left shoe it's just a tool and it's only as bad as the use you put it to I've got a bulge in the front of my blue jeans but not for committing a violent act it won't be used to oppress or exploit you nor as an excuse for my lact of tact I just want to make sweet love to you it's just a tool and it's only as bad as the use you put it to
14.
Not the Best 02:24
I plucked her from the frying pan and placed her in the file I taught her how to hurt herself and taught her how to smile she signed up for the honors course full knowing all the while that she was just in debt to lust and she was not the best I’d ever have She served a purpose in my life as something to ignore she had the sheer audacity to ask for something more she made her case for happiness I told her it’s a bore she’d always be a fool for me and she was not the best I’d ever have She made no resistance should’ve kept her distance thanks for your devotion but I’ve no emotion left for you She broke her chains and vanished and she learned the master’s game she found a way of breaking me by dropping the right name and in the end I’d have to say it’s all a crying shame ‘cos I was just in debt to lust and I was not the best she’d ever have
15.
am I Charles Manson, am I John Gotti am I a lesbian in a man's body will I be famous or better off dead please get your people out of my head you'd better sit down and light a cigarette I've got a dark side that you ain't seen yet thorazine cocktail, can't go wrong if you're going crazy, please take me along if you're going crazy, please take me along minds will snap and hearts will break I do the stellazine shuffle and the haldol shake been up for three days and I don't understand where'd I get this shirt and this blood on my hands? I've got a sadist's smile, I've got sociopathic charm I wanna carve my initials in your arm music's getting loud, it's not getting any calmer don't I look a little like Jeffrey Dahmer

about

Popcorn began as a vehicle for legendary local front man Craig Downs and was my first project with drummer Eric Moore, but neither fellow was long for the band. Ultimately Popcorn mutated into a sort of refinement of the recently demised Lemonade with a new drummer (Dan Stuvland) and some swapping of roles (Danimal switched from bass to full time lead vocals while I abandoned guitar for bass). "Manik" Myk Thompson stayed on lead guitar, and we played a variety of originals - some new, some leftover from Lemonade and other projects, some to rear their heads yet again when Eric Moore, "Manik" Myk and I joined forces yet again in Rocket Park, which shared a similar aesthetic of hard, concise pop with occasional flights of fancy. We never did any professional recording, just enough ambitious four-track basement demos to fill out an album. Enjoy these now sounds for pop people!

credits

released December 31, 1997

Dan "Danimal" O'Connell - lead vocals & percussion
Brian Andrew Marek - bass guitar, keyboards, guitars, vocals & percussion
"Manik" Myk Thompson - lead guitar, vocals & percussion
Dan "Stuvie" Stuvland - drums & percussion

4 & 7 by O'Connell
3, 10 & 15 by Thompson
all others by Marek

produced by Popcorn
engineered by BaM
recorded 1997 in Dogtown
ripped from cassette by BaM

cover from BaM's flyer for The Way Out Club 5/14/97
photos: Carrie Collins
management: Kernel Tom

Rubberstamp Records RSR-021

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Rubberstamp Records St Louis, Missouri

Rubberstamp Records is a DIY indie record label based in the Saint Louis, MO area and helmed by local music scene veteran Brian Andrew Marek.

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